Here's the link to the article:
http://portland.thephoenix.com/arts/116455-catching-up-with-time-at-sylvia-kania-gallery/
Check out some of the images and decide for yourself:
One Space . . . 8 Artists . . .Where Culture and Community Collide.

Cheap Art Show
call for entries!
Show runs: March 23 – May 7th
Sylvia Kania Gallery 566 Congress St
Submissions: due March 15th
$50 to participate
All works must be priced under $50
Gallery keeps 10% of sales
Bring as much work as you want!
The gallery prefers original works of art but prints are acceptable. Artists may only show their own work.
Art does not have to be expensive!
Art is not only for the wealthy!
Art feeds our souls!
Send submission inquiries to: SKGmanager@gmail.com
or come into the gallery
Wed – Friday 12 – 5 Sat 12 – 3
find the event on Facebook here: http://www.facebook.com/#!/event.php?eid=174466055932945

For Immediate Release:
Portland, Maine – February 2011
It's A Matter of Time
February 9th – March 19th
“It is my feeling that Time ripens all things; with Time all things are revealed; Time is the father of truth.” Francois Rabelais Sylvia Kania Gallery's February show explores experiences of time through multiple angles documenting it's passage. We welcome guest artist Blake Hiltunan who's work utilizes natural materials that have been re-contextualized to question man's relationship between self imposed social hierarchies and the natural forces occurring in the world. The large beeswax relief “The Aesthetic Beauty of Labor II” (pictured left) is a relic of of the artistic process and the time it takes to create a single work. Hiltunan also explores the decaying nature of time with sulfuric acid and marble leading to the creation of calcium carbonate. Gallery artists Seth Mullendor and Bridget McAlonan each present new works as well. Mullendor's piece “Six Years” is a time-delayed self-portrait. Six pictures were taken, one from each year for the past six years and cut into a grid of squares. The fragments were then blindly reassembled into new grids to form the six pieces that comprise the series. McAlonan gives us the “Lunar Tango”, a study of phases of the moon with respect to image and the imperfect math that was developed by older men in power centuries ago that has lead to the creation of leap years and other recalibrations to create validity.
Jess Lauren's Obsessive Tendencies series presses on with the third installation “Somme Nous les Jouets du Destin” (we are the puppets of destiny) . This piece consists of multiple teacups existing in time and place together. Each will have it's own life cycle in the company of others, much like our own experiences.